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Newcastle Art Gallery
Wo die industrielle Vergangenheit des Hunter-Gebiets auf zeitgenössische australische Kunst trifft.
4.4(5 Bewertungen)
Kunstgalerie
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Wo die industrielle Vergangenheit des Hunter-Gebiets auf zeitgenössische australische Kunst trifft.
Die Newcastle Art Gallery in Cooks Hill verbindet die industrielle Vergangenheit des Hunter-Gebiets mit zeitgenössischer australischer Kunst. Ihr brutalistischer Kern aus den 1970er-Jahren und eine Glas-Erweiterung rahmen die Wiedereröffnungs-Ausstellung, die als ikonisch, geliebt und unerwartet beschrieben wird. Die Sammlung hebt Margaret Olley und Sally Gabori hervor, wobei die Valerie and John Ryan Gallery durch ein Vermächtnis in Höhe von 20 Millionen Dollar finanziert wird. Das Personal wird gelobt, und laufende Erweiterungen versprechen ein lebendiges kulturelles Zentrum. Befindet sich unter der Adresse 1 Laman St, Cooks Hill NSW 2300.
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Entdecken Sie ikonische australische Kunstwerke, darunter Werke von Margaret Olley, Sally Gabori und zeitgenössischen Künstlern in thematischen Ausstellungen.
Nehmen Sie an Live-Musikdarbietungen, Kunstworkshops und kulturellen Veranstaltungen teil, die für alle Altersgruppen offen sind, oft am Wochenende und abends.
Erkunden Sie die Galerie mit sachkundigem Personal und ehrenamtlichen Helfern und erfahren Sie mehr über Kunstgeschichte und indigene Geschichten.
Durchstöbern Sie eine kuratierte Auswahl an Kunstbüchern, Drucken und einzigartigen Geschenken im Galerieladen.
Erleben Sie die Verbindung von Brutalismus der 1970er Jahre und modernen Glasfassaden in einem architektonischen Wahrzeichen.
Called in on a visit back to Newcastle. The progress is great to see, friendly and knowledgeable staff, interesting and varied offerings at the gallery shop. The next phase sounds exciting and I can’t wait to come back when the gallery is fully open at the end of February. We found it quite frustrating to view the three open rooms which have very little if any information about the artist, the back story, and subject, particularly the indigenous stories referred to but not explained. I hope this will be addressed.
The gallery was unrecognisable post renovation, with upstairs still to be finished. The staff were friendly and helpful, a shout out to the volunteers. The gift shop was open and I had a great time with the staff. I liked the exhibition and atmosphere
As a devotee of the Hunter’s creative pulse, stepping into the Newcastle Art Gallery in 2026 is a revelation. The architecture itself, a seamless blend of its 1970s brutalist roots and a soaring modern glass façade, acts as a cathedral for the "Iconic, Loved, Unexpected" reopening exhibition. Margaret Olley wasn't just a visitor to Newcastle; she was its "adopted" daughter and her life time work is a local love letter. While the world knows her for her Paddington home, she maintained a studio in a basement on church street for decades. Look for Newcastle Harbour (1970–71). While Olley is famed for her indoor "organized clutter," this work captures her deep affection for the city’s industrial grit. She used to climb the 120 steps to obelisk Park to sketch. She famously remarked that she would have lived in Newcastle full-time if the hills "didn't suit an old woman on wheels" so poorly :-) The inclusion of Sally Gabori’s monumental canvases is a masterstroke of the "First Nations First" curatorial lens. Gabori didn't start painting until she was 81, yet she condensed a lifetime of Kaiadilt history onto canvas. Her works, such as those depicting Dibirdibi Country, are not "abstract" in the Western sense—they are visceral maps of the salt pans and fish traps of Bentinck Island. You cannot walk through the new wing without acknowledging the Valerie and John Ryan Gallery . The transformation of this gallery was catalyzed by a staggering $20 million bequest from the late Valerie Ryan. A longtime Governor of the Gallery Foundation, Valerie’s gift (alongside her husband John) represents one of the most significant acts of cultural philanthropy in Australian regional history. The gallery has shifted from a quiet repository to a living, breathing cultural hub. Whether it’s the tactile stairwell sculptures by Fayen d’Evie or the monumental oyster-shell installation by Megan Cope, the "new" Newcastle Art Gallery feels like a bold statement of intent. It is a place where the industrial history of the Hunter meets the sophisticated future of Australian art. Pro -Tip : Visit on February to see the newly expanded floors and art work !
Stopped in on our recent road trip to Sydney. Will be happy to see the entirety of the extensions another time as the big reveal is in February. Loved the soaring ceiling when you enter; had a lovely talk with a couple of staff members, and enjoyed perusing the shop. Loved the Margaret Olley artworks and the indigenous art. Can’t forget the huge Brett Whiteley statue at the front. A wonderful addition to this city.
Loved visiting the art gallery last Friday night for a free event to see lovely Nina & bands performance :) beautiful space. Look forward to visiting again in January, & February for the free art workshops, I'll attend some on wkends. To see when the rest of the gallery is finished will be good! I really enjoyed looking at the art & the music was nice & good talent
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