
Guided drawing classes that unlock creativity and progress in Portland.
The Drawing Studio, located at 3614 SE Division St in Portland, offers welcoming drawing classes taught by skilled instructors. Reviews praise Sarah as a wonderful teacher and note techniques from value, gesture, and figure drawing to charcoal. Some travelers from Bend attend series, finding the classes restorative, creative, and helping students progress between sessions.
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Learn foundational techniques like drawing from emotion, value, shapes, and gesture drawing with charcoal.
Explore human form and movement through guided sessions that emphasize observation and personal expression.
Master charcoal as a favorite medium with hands-on lessons on texture, shading, and creative application.
Progressive classes designed to help students grow as artists and advance their skills over multiple sessions.
Use drawing as a therapeutic tool to bypass conventional responses and express emotional states through art.
Overall rating
Masha Anisimova (Мисс-Ти)
A door to a new happier life is what this is. Tap into a creative part of your brain you didn’t know existed.
T P
Sarah was such a great teacher! I took intro to drawing and we learned a bunch of different techniques like drawing what we feel, noticing value and shapes, and some gesture and figure drawing. I’ve never drawn with charcoal and now it’s probably my favorite medium! I also feel like I’ve progressed as an artist and am looking forward to the next class series!
stacy sharlet
I love The Drawing Studio. I live in Bend so I can only do a series once, sometimes twice per year, weather and travel dependent. I miss it when I am not there.
dochenre
I took the first drawing class. It was amazing. I'm looking forward to more and seeing how things unfold. His teaching is wonderful.
Simeon Roane
Ask someone to draw an eye and, most likely, they will do just that - a circle to represent the eye ball, another circle to represent band of color, pupil and so on. The result being a pictogram of sorts...internationally recognized and labeled as an eye. Phil allows students to bypass this response by observing the subject, in this case the eye, in a way that is not devoid of the drawers current emotional state or intent. The result will be an eye as seen by the drawer, not an eye as represented by the collective whole of every human on the planet. And that is what makes these classes, in my opinion, beautiful and theraputic.
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